تاريخ : 1396/06/17

DWTS long gown dress Season 15: Week 5 Costume Critique

Guilty Pleasures Week on Dancing With the Stars! I think Wholesale Babydoll Lingerie watching this show is probably one of my top guilty pleasures, how about you? And trashing Brooke when she wears a horrible dress – the BEST! Oh my goodness – what was that homage to Beetlejuice or Jail House Rock or just plain BAD DESIGN, that she wore Monday night? That was a hideous design. (She looked great on Tuesday night, however!)

The two perfect dance costumes this week, were worn by Shawn and Kirstie! Shawn looked incredibly sexy and classy in her white, draped chiffon Rumba costume. Especially when you aren't stick thin, you need to be careful with any draping – to not add width to your silhouette. Her lace trimmed, sheer middle-connect leotard with open back and a narrow jeweled waist-belt, was very flattering, and the draping did NOT add width to her silhouette. Excellent design!

Kirstie's beautiful Quick Step gown enhanced her upper bodice and slithered over her torso. The long sleeves, real straps (with sheer lace upper-cups on her bodice) was very flattering. The gored gown had lots of volume at her hemline and this was accented with fabulous feathers. The minimal color-on-color rhinestoning was classy, and her perfect accessory? – Maks, of course, in his black tight-fitting polo shirt and trousers!

Melissa in her silver Tango dress and Karina in her red lace and charmeuse, short and simple Samba costume were nearly perfect. ‘Tastefully nude' is how I describe Melissa's dress with all the rhinestoning and then the large chunky jewels accenting her scoop neckline. Karina was tastefully NOT nude looking – with her slip-like dress with real straps and thick horse-hair enhanced banding at her hemline. Bravo for both.I was disappointed with Kelly's black leather-ette Samba costume – it just seemed too boringfor my taste. And Peta's too-naked Rumba costume – with the sheer drape only partially covering a nude bra, was not attractive. I liked Cheryl's skimpy Samba dress (although with plenty of nude-toned mesh) but it didn't seem to match Emmitt's full red ensemble. But the most disappointing costume was Sabrina's ‘Cinderella' Waltz gown. If you looked closely, the bodice didn't fit. The seamed cups didn't hit under her bustline, and didn't huge her bosoms. There wasn't enough embellishment (did the costume department run out of rhinestones???). The top draped skirt seemed skimpy and not luxurious. In my imagination, Cinderella' fairy godmothers created a truly spectacular gown for her, and Sabrina looked like she was wearing a cheap Halloween costume, not an elegant ‘princess' dress.

Although I mostly enjoyed the team dances, I didn't totally enjoy the costuming. Team ‘Call Me, Maybe' dressed in cheerleader/football costumes. Maybe they should have called ME, on this one. I wasn't sure why the boy's supposed football jerseys didn't match, color-wise, to the girl's outfits. The padding on the boy's pants could have been more realistic, and the football jerseys just didn't look like football jerseys.

But the most disappointing, were the girl's outfits which showed off the thin girl's figures, but I think it was a total disservice to the ‘regular-sized' girl's to put them in costumes that didn't flatter them. The box-pleated skirts cut to their natural waistlines, emphasized that they were thicker than Melissa and Karina. The construction of the box-pleated cheer skirts also stretched too tight at the top of the pleats. This was not a good look. Our Satin Stitches' box-pleated cheer skirt patterns do NOT do this. What would have been a better choice? Since the boy's all had the exact outfit on, why not have the girl's all in the same outfit, as well? And then design the outfit to flatter Sabrina and Shawn. There was no need for the extreme bare midriffs on Melissa and Karina. It just emphasized that two girls were thin, and two girls were not. At Satin Stitches, that is what we do – create flattering costumes for ALL the sizes and shapes on a dance/cheer team, especially for high school teams where body image is so important.For Team ‘Gangnam Style', I enjoyed the matching, brightly colored suits with the matching hair and sunglasses. I did NOT enjoy when they stripped down to various costumes and underwear. Really? Gilles in his tighty-whities with just a towel to cover, which then came off? Despite Gilles looking lovely…it was disappointing as far as the quality of costuming for this dance routine!This blog is on the short, skimpy side this week – we are just too busy, here at Satin Stitches, as we are in the middle of our 3 busiest delivery months of our year! We are all working overtime to make everyone's dream delivery dates come true!

تاريخ : 1396/06/17

Rhinestoning halloween costumes outlet 101 – Embellishing Tips from Satin Stitches!

Do rhinestoning projects leave you sweating? swimwear manufacturer Where do I start? How do I start? What rhinestones should I use?

If you find the prospect wholesale halloween costumes of having to embellish your own costume, or help with embellishing costumes for an entire group a daunting task, and wonder just what is the best way to go about it, read on! Some people LOVE to rhinestone and others aren't so sure! Adding glitz to a costume can truly take the costume to the next level, or if done poorly, it can detract from the overall look of the costume, NOT what you are trying to achieve.

First of all, you need to decide what type of rhinestones to use for your dance costume embellishment project. There are many different styles, qualities and colors. The best, most brilliant, highest quality and yes, most expensive are Swarovski rhinestones – made in Austria, and Czechoslovakian rhinestones. There are several qualities of Czech stones and several rhinestone web sites that help to inform you on what makes a better stone. Do some research to learn more. The lesser expensive, Korean rhinestones are a much lower quality of rhinestone. The ones that I've seen are not nearly as brilliant, especially the colors, but they are still much better than the acrylic rhinestones. Acrylics are plastic and look plastic, and generally should not be used.

Should I set, sew, glue or hot fix my rhinestones?

Many larger rhinestones are only available to sew or glue on. But most of the flat-back rhinestones that are more commonly used for embellishing dance costumes can be set, sewn or glued. My preference is ALWAYS HOT FIX! Why? There are many reasons. They stay on better, when properly applied, you do not run the risk of dropping a spot of glue on your costume, they can be washed or dry-cleaned and they set immediately-without any waiting. They also can be laundered either by hand or by dry-cleaning. What is a hot fix rhinestone? Hot fix rhinestones have glue on the back and heat is used to permanently apply them to all types of fabrics. There are many techniques and tools that may be used. Hot fix wands and various tools are available Online from many different sources. If you haven't tried this type of rhinestone, you should! They are the same quality stones as those with the plain back, and if heat cannot be used, you may still use your favorite glue on these.

Old school costume embellishers generally have stuck with gluing or setting their rhinestones. Setting stones has always been problematic with the metal prongs that are used. These prongs can easily shred chiffon or spandex, unless there is extra care to cover each prong with a dab of glue to protect it. Seems like wasted time to me! I am not a fan of gluing or setting stones, we have been using hot fix stones for many, many years.

Be aware that it is harder to permanently apply rhinestones to any surface-printed spandex. This finish makes the fabric very slick and stones will not stick as easily as to any other type of spandex or costume fabric.

What color and what size rhinestones should I use?

In my experience, you get the most bang for your buck with the plain crystal colored rhinestone. It shines and glitters the most. Second choice would be Aurora Borealis, if it coordinates with the color fabrics you are using. Third would be the jewel toned colors, followed by pastel and various other colors. Last would be jet (black) or the really dark colored stones. These dark stones just do not show as much as all the other choices.

What you need to do is visualize your choice of rhinestone from "performance distance", when deciding what size stone to use. At Satin Stitches, we have found that for an allover scattered effect, we think that the size 20 works the best. If you are looking for a more subtle effect, then size 16 is a good choice. When you go larger, the stones start to look more like polka dots, unless the color matches the fabric exactly. For outlining effects on costumes, we have found that the size 30 and size 34 work the best, if you can afford the larger stones. Cost is also influenced by how far apart you space your stones.

Of course, the cost increases with the increase in the size of the rhinestones. Rhinestones are generally sold according to how the rhinestone manufacturer packages the stones, usually by the gross (a gross is 144). The smaller stones come in 10 gross packages, size 30 stones come in a 2.5 gross package, and size 34 stones come in one gross per packages. You will find that most rhinestone retailers offer discounts when you purchase in these amounts, because they don't have to repackage for smaller quantities.

What pattern should I use to trim my costume?

Generally, there are three styles of applying rhinestones:

OutliningScatteredPrecise pattern, based on a geometric or free-form design

How do I determine how many stones I will need?

Math! If you are outlining design features on your costume, simply measure all the lines that you wish to outline. Then determine how many stones per inch, you will want to use. Then multiply to see how many gross you will need, and then round UP. If you are scattering your stones, you will need to place your scattered pattern in a 6 inch square, then count them up and multiply how many 6 inch squares you wish to cover with your rhinestones. When you are working with a precise pattern of stoning, you will need to count how many stones are used in one pattern, determine how many patterns you will use and multiply. If you find you do not have enough stones, or do not wish to use that many stones, you will be able to rework your plan before you start.

How do I know how long my project will take, and what if I do not have enough time?

Math! Calculate how long it will take you to do one yard, or one section or one precise pattern and multiply to see how many hours it will take. If you know you do not have enough time, then edit your design, or start with one part of your plan. Never stone one area of a costume heavily, first, unless you have calculated that you have enough time AND enough stones. Always embellish lightly, all over your costume, first, in case you run out of time or stones, that way you will be able to wear it, and take the time to add more later, for your next performance.

What if I do not know exactly how I want to stone my costume?

Start simple, see if you like it, then stop if you do! It is always easy to add more and more stones. It is very difficult to remove any stones, especially if you put them on correctly, to not come off!

How should we work on stoning a group of costumes?

For a group, the most important thing to remember is that you want them all to turn out the same! You achieve this by working as a team, not individually. NEVER let everyone do their own costume because they will all turn out differently, even with specific directions. Everyone interprets the directions differently! Have one person do the same section of the predetermined design, so that they all look alike. Work together, so every one can see what the plan is, and how it is going. Most importantly, if there is a predetermined amount of rhinestones available for the project, stick religiously to the plan so you don't run out. Has anyone had to find more rhinestones at the last minute to complete a project? Avoid this by keeping track of how many stones are needed, after ordering a few more than you expect you will need.

Something else to think about, is what you do with the back of a costume. If you have no limit on the amount of stones or the time it takes to apply them, remember that dance is a 3-D performance, so add them to the back of your costume, too. But if you are limited as to how many stones you can use, put more on the front of your costume. You are facing the front more often than the back, and most of your pictures will be focused on the front. Put your glitziest face forward!

At Satin Stitches, we offer you options. Whether we are custom creating a solo costume for you, or costumes for an entire team, we will either embellish everything, according to your wishes, or we can leave this up to you. Occasionally we have applied the more difficult stones, leaving the easy ones for you to apply. We want to work with your budget and talents! We know that there are many of you who LOVE to stone costumes, finding it very therapeutic, while others hate the daunting task!

I hope that this information is helpful, so that you will not start sweating when you hear that it is time to rhinestone!

تاريخ : 1396/06/17

Custom corsets wholesale corset by Pop Antique | Model: Victoria Dagger | Photo © Sparklewren

Uneven corset laces are a problem many corset wearers Sexy Clubwear encounter. Though its not a huge issue, it can be a minor annoyance, making laces harder to tuck in and generally creating a messier appearance. Often, the laces will end up uneven because the wearer tends to pull on one side more firmly during the lacing and/or unlacing process. Or, the corset may simply have been laced up unevenly by the maker. Luckily its something that can be easily and quickly fixed in just a minute or two. If you lace yourself into your corsets, start by putting your corset on a pillow. If you have the assistance of a partner or ladys maid, they can make the adjustment at the beginning of lacing you in, just after the busk is fastened but before tightening at all. Adjusting uneven corset laces. Corset by Pop Antique.

First, identify which side is longer if the difference is slight, just loop a hand or finger through both bunny ears/waist loops and slowly move back until one side is taut and the other is slack.  Ive made it pretty exaggerated for purposes of this demonstration. Adjusting uneven corset laces. Corset by Pop Antique.

From the longer side, start moving the slack upwards. A properly laced corset should have an inverted waist loop, so the bottom of the loop leads into the top portion of the lacing.  Take all the slack up to the next cross over until your waist loops are the same length. Adjusting uneven corset laces. Corset by Pop Antique.

Follow the path of the lacing on that side all the way up to the top.  Youll notice that the lacing is tied off at the bottom; the knot there keeps the bottom half of the lacing fairly stable, which is why we are only messing with the top lacing.  You can generally skip about every other grommet, which makes it easy to keep an eye on which piece of ribbon to pull. For example, with this lacing pattern, I am always grabbing the ribbon on the outside of the corset that angles up to the left. Adjusting uneven corset laces. Corset by Pop Antique.

Eventually, all the slack is collected at the top of the corset. You can distribute all the waist loop slack from both sides up if you find it easier to track the symmetry that way. Adjusting uneven corset laces. Corset by Pop Antique.

Then start distributing the excess lacing back down towards the waist on both sides.  Youve taken all the extra up to the top, and are now splitting the difference. Adjusting uneven corset laces. Corset by Pop Antique.

If you notice that youve acquired an asymmetry as you work your way down, pause a moment Adjusting uneven corset laces. Corset by Pop Antique.

Distribute the extra from the one side back up to the top Adjusting uneven corset laces. Corset by Pop Antique.

then distribute it back down on both sides. Adjusting uneven corset laces. Corset by Pop Antique.

Continue until all the extra lacing is back in the waist loops, which should now be even in length. Adjusting uneven corset laces. Corset by Pop Antique.

And voila! Youre now ready to lace up as tightly as you like. Custom corset by Pop Antique | Model: Victoria Dagger | Photo © Sparklewren

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Corset Quick Tips: How to Adjust Uneven Laces